Session Solos

Session Stories / Interviewed by John Talman

Bob Bradshaw Interview, Part 1: Building the Modern Guitar Rack System

Bob Bradshaw sits down with John Talman to explain how Custom Audio Electronics grew from curiosity, repair work, and a need for better switching into the operating system behind many of the era's most recognizable guitar rigs. Part one centers on the early years and the players whose demands pushed the systems forward.

Guest
Bob Bradshaw
Known for
Custom Audio Electronics founder and guitar-rig designer
Published
February 10, 2026
Runtime
1:30:44
Interviewer
John Talman
Series
Session Stories

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Bob Bradshaw on Session Stories

Bob Bradshaw explains how an electronics obsession became the switching and rack systems used by Michael Landau, Dann Huff, Steve Lukather, Eddie Van Halen, and other major players.

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Timestamped topics

Conversation guide

Jump directly to the guest's complete answer on YouTube.

  1. Why the rack era sounded impossible from a practice ampJohn frames the mystery that sent a generation of players searching for the sounds behind the records.
  2. Craig Anderton and the idea of better switchingBradshaw remembers the technical writing and experiments that helped organize his earliest thinking.
  3. Landau, Lukather and Van Halen enter the storyThe client list grows as professional players need complex systems to behave like instruments.
  4. Building for Dann HuffBradshaw describes another relationship where the player's working method shaped the solution.
  5. From switching systems toward preamp designThe conversation follows the practical limitations that pushed Custom Audio Electronics into new products.
  6. The Mike Soldano connectionA design problem opens the next phase of the CAE story and leads directly into part two.

Editorial context

What this conversation preserves

Bradshaw's story begins before the polished refrigerator-sized racks that later became famous. He describes reading technical material, building and modifying devices, and learning how signal flow could either preserve a player's sound or destroy it. The key innovation was not adding more equipment. It was making complicated equipment feel dependable and immediate under a guitarist's foot.

The relationships with Michael Landau, Steve Lukather, Dann Huff, and other working musicians reveal how the systems evolved. Each player arrived with different guitars, amplifiers, effects, and performance demands. Bradshaw's role was part engineer, part translator, and part touring problem-solver. Part one documents how that method became a standard long before Custom Audio Electronics products reached a broader market.

This guide was prepared by Session Solos from the complete interview. It summarizes the discussion and does not represent machine captions as verified quotations.

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